Video & Broadcast
Stories built for the screen.
We have never had more ways to reach each other and never worked harder to feel like we have. A person looking straight into a camera still cuts through in a way nothing automated can. These are the campaign films, broadcast hits, and long-form conversations I produced, coordinated, or stepped in front of the camera for.
Campaign films
Concept, direction, and story2026 Pediatric Calendar Compilation
The short film that runs with the year's calendar, built around the kids whose faces are in it.
Hope is on the Line
A working phone in the middle of Fountain Square, and a stranger on the other end with something worth hearing.
Chloe: after transplant
The chapter every campaign hopes for.
This Thing Called Life podcast
Corie Blount on his son's kidney diagnosis, released alongside a timed press push.
Broadcast, long-form & education
On camera and behind itChloe: before transplant
Filmed while she was still waiting for a heart.
Adria, Jason and Denisha's story
Three donation stories made for hospital nurses, so the clinicians who sit with families in the hardest hours could hear how those families felt about the process afterward.
Save My Human animated commercial
The centerpiece spot for a campaign that argued for donation from the pets' point of view.
Life is Cool education curriculum
Classroom video from the youth curriculum that won a Donate Life America Pinnacle Award for Youth Education.
Vice News / KODA
National coverage following one donor's gift and the recipient who accepted it. The story doesn't look away from the hard parts: an overdose behind the donation, and a hepatitis C diagnosis that came with the organ and was treated and cured after transplant.
A conversation with faith leaders
A National Donor Sabbath panel with church leaders, donor families, transplant recipients, and donation professionals.
The camera finds the story. Strategy puts it there.
Concept through delivery: I direct external videographers, scope and brief the vendors, and cut my own footage in Premiere Rush and GoPro when the moment won't wait for a crew.